aja monet
Alessandro Cortini
Alice Longyu Gao
Ami Dang
Anika
Astrid Sonne
Ata Kak
Beverly Glenn-Copeland
Brìghde Chaimbeul
Carla dal Forno
Caterina Barbieri
Cecile Believe
Chuquimamani-Condori
Circuit des Yeux
Clarissa Connelly
Cole Pulice
Colin Stetson
Essaie pas
Evicshen
Faten Kanaan
Fennesz
Flore Laurentienne
FUJI|||||||||||TA
Golin
Hana Stretton
Hatis Noit
Helena Deland
Hildegard
Horse Lords
Horse Vision
Hyd
Isla Den
james K
Jerusalem In My Heart
JJJJJerome Ellis
Joanne Robertson
Joe Rainey
John Glacier
Kelly Moran
KMRU
KOKOKO!
Los Thuthanaka
Lucrecia Dalt
Malibu
Maria Chávez
Maria Somerville
Marie Davidson
Marina Herlop
Meara O’Reilly
Meth Math
ML Buch
Moin
Myriam Gendron
Nadah El Shazly
NEW YORK
Niecy Blues
Ouri
Radwan Ghazi Moumneh
Smerz
Solids
Still House Plants
Tarta Relena
The Turntable Trio
Valentina Magaletti
William Basinski
Yasuaki Shimizu
Zoh Amba
Zola Jesus
Ouri
AGENTMichaël Bardier
Throughout Daisy Cutter, Ouri builds a world out of a radical experimentation with desire, discipline, and intimacy. What began as a practice of letting everything flow without judgment grew into a study of freedom’s contradictions: the pull between safety and risk, commitment and release, control and surrender.
The album’s title, Daisy Cutter, carries this duality. Borrowed from a bomb, devastating and absolute, it also evokes the delicate act of trimming a flower. Ouri keeps both in play, moving between sweeping force and precise gestures. Out of this tension arises music that feels both intimate and insurgent. Speaking about how the album came into being Ouri notes, “All these trusting miles in the dark led me to these 13 songs. Daisy Cutter is music but it’s also the leader of a militia, a part of me. Like a rotor, I started a practice that brought all this album to life and it’s gonna keep spinning even when I let go of the wheel.”
Ouri engineers, mixes, and masters everything herself, shaping tactile and often nocturnal sounds that shift just as they seem to settle. Across the album Ouri places herself within a community that feels at once real and imagined. Around her, friends and collaborators assemble as comrades, an underground militia intent on cultivating a future sound. Longtime allies including Mobilegirl, Oli XL, Bby Eco, Charlotte Day Wilson, Bamo Yendé, Cecil Believe, Duncan Hood, Jonah Yano, Sea Oleena and Cowboy Lansky join Ouri across the album, their contributions recorded in borrowed spaces, apartments, and other non-studio settings, exploring various ways of being in the world that allow for the contradictions of fortification and desire.
Daisy Cutter follows Ouri’s highly praised debut album Frame of a Fauna, which was shortlisted for the Polaris Music Prize, as well as her collaborative project Jour 1596 with Helena Deland as Hildegard, that The FADER described as, “A blessed union of avant-garde R&B saints.” Since the release of her debut album Ouri has toured across North America with celebrated artists including Yaeji, Tirzah, Charlotte Day Wilson and Smerz.
TERRITORY North America
PRESS
Exclaim!
Pitchfork
Fader
Clash Magazine
Bandcamp Daily
XLR8R
Vice
CONNECTBandcamp
I️nstagram
Soundcloud